It took 18 months of constant customer feedback for Canon to add NTSC 23.98fps and PAL 25fps in the 5D MK II via firmware update.Ī decade later, for one reason or another, Canon has not fully realized that video shooters who buy its equipment want 23.98fps and 25fps as an option for each resolution as well as straight 24fps. Last year, Canon rolled out different cameras that omitted the frame rates in full HD and 4K resolutions. The EOS RP, EOS 90D, and EOS M6 Mark II to name a few. And again, customers requested 23.98fps, 24fps, and 25fps. And again, Canon began to offer firmware updates.Īnd I'm not just pointing a finger at Canon. Every manufacturer who makes a camera that has a nominal amount of video specs should include all three frame rates at each resolution. The medium format Leica S3, which is absolutely geared towards high-end photography has specs that include 24p, 25p, and 30p. It's baffling that common frame rates are not automatic checkboxes for modern cameras right out of the gate. If you're a camera manufacturer not including them, let's fix this. If the thinking is to protect other high-end models in the camera lineup, that's asinine. Bridge the cameras, don't pin them against one another. Give creators matching frame rates, bit depth, and similar color science, so interpreting footage in post is easier. Workflow matters when budgets are tight and shooting days are shortened. It seems that Canon's dSLR department got overruled by their cinema camera department right around 2011.
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